Tuesday, November 22, 2016
Three Spy Films from Len Deighton Novels
In 1965, Harry Saltzman, the producer of the James Bond films, took on another fictional British agent for a series of very different films – very different from the Bond pictures and very different from each other.
Again, the producer and his people pulled off a casting coup landing young, rising-star Michael Caine to play the spy they named Harry Palmer. In the Deighton books, this character has no name. Caine brought his considerable acting talent and personal charm to the role, which burst through despite a rather restrained, at first, portrayal of the somewhat bland, but deep down rebellious character. Even the heavy, black-rimmed eye glasses he wore in all three pictures could not flatten out his personality.
“The Ipcress File,” the first of the trio, is the story of the British military intelligence service setting out to find a kidnapped scientist. Harry Palmer, who had a crooked reputation while in the regular army, is reassigned to the service where, his stuffy superiors believe, his talents could be better used. The picture was directed by Sidney J. Furie, a Canadian, who gave this film a realistic, cold and claustrophobic atmosphere. Furie was greatly aided by Otto Heller’s photography. Together they employed odd framings and cocked camera angles to keep Harry Palmer, and the audience, off balance and on edge.
In the second film,“Funeral in Berlin” from 1966, Harry Palmer is sent to West Berlin and ordered to cross into Communist controlled East Berlin through Check Point Charlie, to meet a Communist colonel who wants to defect but needs help getting out. Directed by Guy Hamilton, who directed “Goldfinger" in 1964, “Funeral in Berlin” is a smoother production than "Ipcress," but still has a bit of grit and some very good location photography, again by Otto Heller. It also has a wonderful performance by Oscar Homolka as the jovial colonel. Over all, this movie has a lighter feeling than the first.
The last of the three, “Billion Dollar Brain,” from 1967, is the loopiest and slickest of the series. Here, Harry Palmer goes to frozen Finland in the middle of winter to deliver a mysterious package, discover what the package contains (deadly viruses), who wants them (Karl Malden as a slippery middle man), and the ultimate plot of a crazy Texas millionaire out to destroy Communism with the aid of a self-financed army and a computer, the billion-dollar brain of the title. Not much of this one makes sense, but the film is so lavishly produced and so artistically directed by Ken Russell, that the plot did not matter as much as the wild visual ride. “Billion Dollar Brain” is the closest to what the Bond franchise became with beautiful location photography by Billy Williams and a beautiful leading lady in Francoise Dorleac (Catherine Deneuve’s late sister). Oscar Homolka also returns in this one.
The three films showed back-to-back on cable last weekend and gave me the chance to watch “Funeral in Berlin,” which I had never seen before, and which is now my favorite of the three.
I had seen “The Ipcress File” several times, including earlier this year. “Billion Dollar Brain” I had not seen since I was a kid, watching it on TV, and unable to make head or tail of the story. But there was one sequence in it that stuck with me all those years.
When Harry Palmer is given the mysterious package to deliver, his instructions include the warning not to try to open what looks like a coffee thermos. Harry takes it to a London shopping area, enters a shoe store where they have some kind of X-ray device for customers to look down through a viewfinder at their shoes and see the bones in their feet. Harry sticks the thermos in there and has a look. It is still my favorite scene in this oddly funny movie.
(For more posts on movies and television, check out Todd Mason’s blog.)
Posted by Elgin Bleecker at 10:05 AM
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Don't think I ever saw THE BILLION DOLLAR BRAIN.ReplyDelete
If you think of it as a crazy art film, I think you will enjoy it more than as a whodunit. Ken Russell, after all, directed the movie of The Who’s TOMMY.Delete
What an interesting and helpful posting! I'm not much of a film person, so you will not send me scurrying to Netflix or elsewhere for the films, but you have piqued my interest in the books; I've add the titles to my TRB wish-list. Thanks!ReplyDelete
Tim - Glad you checked out the post. And I will be visiting your blog, too.Delete
Nicely reviewed, Elgin. An eye-opener for me considering I read many of his novels in my youth. I don't think I have seen any of these films; definitely not BILLION DOLLAR BRAIN. I think Michael Caine has stamped that bespectacled look in many films, although it does suit him well.ReplyDelete
Thanks, Prashant. And I think you are right about the glasses, although I can’t think of any other movies in which he wore them. It seems to me, he wears glasses in real life. Maybe that’s what we are rememberingDelete
Great to read about these again Elgin. I'm a sucker for spy movies and these three do show a very interesting progression, from 40s inspired Noir with a tinge of psychedelia, to a glossier, smoother feel in the middle (Hamilton was a much steadier influence than either Furie or Russell) until the more chaotic late 60s feel really takes over wit the plot making little sense and camp humour defusing any real attempt at jeopardy. The less said about the later pair of films Caine made as Palmer, the better!ReplyDelete
Sergio – While FUNERAL is my favorite, I like all three, and for different reasons. The one constant reason is Michael Caine. I’ve seen just about every movie he’s made – and that is an accomplishment, since he does about 47 films per year.Delete