Thursday, July 20, 2017
Unlike White’s famous book, The Killing, his 1963 novel, The Money Trap, does not follow a criminal gang but two New York City police detectives. The book is also unusual because their plans are not thought out in precise detail.
Detective Joe Baron and his friend and partner, Detective Pete Delanos, are assigned a simple case of attempted robbery of a doctor’s office which ended in the death of a junkie burglar at the hands of the medical man who came home early and shot him.
But before he kicks off, the junkie tells Pete the doc is dirty, is selling drugs, and has about a million bucks in cash in his safe. He dies and Pete finds the combination to the safe in his pocket.
Pete takes his partner aside and tells him what he discovered and how easy it would be for them to break in and steal the dough.
Joe is intrigued. He is an honest cop, but he could use the cash. He is married to a young woman raised around money. She is not only used to having things, but also has a trust fund providing her with a larger annual income than Joe makes on the force. Joe resents his wife’s money. His pride will not let him take anything from her. He is in debt after buying a house in an upscale neighborhood to please her, and every day he sinks deeper into a financial hole. He also feels he is the butt of jokes among his wealthy neighbors.
All this drives him to go along with Pete. Together they make some sketchy plans, Pete insisting it will be easy.
But this is a Lionel White novel, and in White’s world nothing is easy and little goes as planned.
The Money Trap is written in White’s blunt, forceful, straight forward style. It is a style he mostly likely developed during his years as a newspaper reporter and editor and later as an editor of detective magazines. The book is a quick read with nicely developed characters – except for the doctor who is a bit of a throwback to the days of the evil criminal genius. The other characters, the cops, the mugs, a chorus girl, and some snotty neighbors, are well done.
(To read my review of Lionel White’s The Killing, click here. To read my review of his novel The Snatchers, click here.)
(To read more posts on books, check out Patti Abbott’s blog, here.)
Thursday, July 13, 2017
This is a quiet, slow-paced film of 70-ish Lee Hayden, a once popular star of Westerns, who now earns a living doing TV commercial voice-overs, and who spends far too much time smoking dope and daydreaming of a glorious return to the big screen.
Lee has a cordial relationship with his ex-wife (played by Elliott's real-life wife, Katherine Ross), but no rapport at all with his adult daughter.
Then two things happen that shake him up. He finds out he has cancer. And he meets 30-ish woman who is interested in him.
Sam Elliott gives a subtle, deeply-felt performance in this film.
Thursday, July 6, 2017
He recruits four men, all in need of money – big money – and all clean. They have no police records. Each also has something Clay requires for his scheme to work.
Marvin Unger, a sour little man needs to make up his heavy losses in the stock market. Big Mike Henty, a racetrack bartender with a weakness for the horses, needs money to move his wife and daughter out of the slums. Randy Keenan, a police officer, owes big dough to a loan shark. And George Peaty, a race track cashier, needs lots of money to please his hot, young, high-maintenance wife, Sherry.
Sherry, who is seeing a smooth gangster on the side, poses an early complication in the story. To impress her and assure her he is going to come into money, Peaty tells her the set up. He does this against Clay’s strict orders for everyone involved to keep his mouth shut.
Johnny is the only cool pro among his gang of amateurs. Each of the others has his doubts and fears. And, as often happens in a Lionel White novel, the carefully planned robbery has too many ways of going wrong. If any one of his men screws up, they could all wind up in jail – or dead.
Lionel White's writing has the clean snap of someone who spent many years knocking out newspaper copy and editing crime stories. He started his writing career as a reporter in the 1920s. He later became a newspaper editor and went on to edit detective magazines. The Killing (originally published as Clean Break) is probably his best known novel. He wrote 38 books between the early 1950s and the 1970s, including The Snatchers (which I wrote about here).
White's characters all ring true. He does not do lengthy descriptions of people or places, but gives the reader enough to form vivid mental pictures.
This is a second reading of The Killing. The first was more than 20 years ago when I picked up a 1988 Black Lizard paperback reprint of the novel. Even though I knew the story – as well as the Stanley Kubrick film version – The Killing still delivered a punch.
(For more posts on books, check out Patti Abbott’s blog.)
Monday, July 3, 2017
Tomorrow is the Fourth of July, and a movie that is as much a part of the Independence Day celebration as “A Christmas Carol” is to Christmas and “The Quiet Man” is to St. Patrick’s Day, is “Yankee Doodle Dandy.”
The film is the1942 Warner Bros. biography of Broadway song and dance man, George M. Cohan, who wrote the book and lyrics, produced, directed and starred in his own musicals in the early 20th century.
Cohan’s songs included “Grand Old Flag,” “Over There,” and “Give My Regards to Broadway,” all of which – and more – are featured in the movie.
The picture stars Cagney as Cohan and Joan Leslie as his wife, Mary. It was directed by the versatile Michael Curtiz.
The final dance Cagney performs as the aging Cohan is this brief walk down a staircase in the White House after a visit with the President of the United States.
Here is a clip. But, please, do not try this at home.
“Yankee Doodle Dandy,” is schedule to show at 8 p.m. (Eastern time), July 4, on Turner Classic Movies.
Sunday, July 2, 2017
It is the story of Anne, a woman of a certain age, who is in Cannes with her film-producer husband. When he has to fly off on business, Anne hesitantly accepts an invitation from his French colleague to return to Paris in his car.
And with that, she is off on an unexpected adventure.
While she wants to get to the city as quickly as possible, Jacques is in no hurry. He wants to stop and eat at great restaurants and see the countryside. “Paris can wait,” he tells her.
Anne is played by Diane Lane. Jacques is played by Arnaud Viard. And Anne’s husband is played by Alec Baldwin in a small part.
The film is a romantic tour. Everywhere they go is gorgeous. Even a service station where they stop for gas is picture perfect.
If you want ugly reality, this is not the movie for you. If you want a 90-minute visual vacation, see “Paris Can Wait.”