“Shaft” directed by Gordon Parks from the Ernest Tidyman novel

Last week, I wrote about the novel Shaft. This week, a few words about “Shaft,” the 1971 movie.

The story is fairly simple, private investigator John Shaft is hired by a Harlem gangster to rescue the man’s teenage daughter from Mafia kidnappers.

Some of the social and political complexities of the novel are lost, but the action is retained. The movie is nearly wall-to-wall action, with a few lulls while Shaft verbally spars with police Lt. Androzzi, and beds several women.

The movie had some excellent things going for it. It was based on a solid novel by Ernest Tidyman, who co-wrote the screenplay. It had a good cast with Richard Roundtree as Shaft, Charles Cioffi as Lt. Androzzi, and Moses Gunn as the gangster. Gunn has a terrific moment early on when hiring Shaft and trying to maintain his tough front, while his emotions overwhelm him and tears come to his eyes. 

“Shaft also had long-time magazine photographer, writer, and filmmaker Gordon Parks as director. In an interview, Richard Rountree said Parks was so cool, he was Shaft.

And, perhaps most memorable of all, “Shaft” had a musical score and song by Isaac Hayes. Hayes won an Oscar for “Theme from Shaft.” 

Say “Shaft” to people who have seen the movie, and I will bet two things happen, they hear the song in their heads and they picture Richard Roundtree walking through Times Square in that long leather coat. 

I was going to say more about the movie, but I found the following clip which says it all.

 

Surprising novel Shaft by Ernest Tidyman

First edition

Three things surprised me about the book, Shaft:

First, the paperback copy on my shelf, unread until now because I had seen the 1971 movie several times, is not a novelization of the film, but an original novel written by Ernest Tidyman, published in 1970.

Second, the novel is old fashioned and current at the same time. New York City, where the story is set, was on its heels at the time. Times Square, where 28-year-old, black, private investigator John Shaft has his office, was a sleazy place full of crumbling movie houses, porno book stores and strip joints. But, many of the struggles of the African-Americans living in Harlem then, are the same today.

Third: Ernest Tidyman, a man whose name I have seen in movie credits, and who I always assumed was black, was white.

Shaft is the story of Harlem-born, Vietnam-vet, P.I. John Shaft who is approached by uptown’s most powerful and feared gangster with a personal request. Knocks Persons wants to hire Shaft to find out who kidnapped his teenage daughter and where they are holding her.

Paperback

The Mafia grabbed the girl to pressure Persons into relinquishing control of Harlem. But Persons knew that. He was using Shaft to smoke them out and to settle some scores.

Before the old mob tipped its hand, Shaft tracked down and approached a militant young black leader, Ben Buford, for information. While meeting in a secret and secure building with Buford’s men guarding the place, the place is attacked, killing the guards and nearly killing Buford and Shaft.

Later, in an attempt to negotiate with the mob, Shaft is ambushed, takes a hell of an ass-kicking, and is dumped on Knocks’ doorstep as a warning to the Harlem gangster.

While most men would be rushed to the hospital, Shaft rushes into action with a plan to smash into the kidnappers hideout, rescue the girl and stomp the men who beat him. All of this is executed in a series of incidents even more impossible than the end of the movie based on this book.

Tidyman was very good with action and dialogue, not quite as good with the odd, internal musings of John Shaft. But overall, Shaft is a well done, fun read, and if I can find Tidyman’s other Shaft novels, I will be reading them, too.

Ernest Tidyman (1928-1984) had a long career as a journalist before writing his first book. His third book, Shaft, was a success, helped no doubt by the hit movie that came out the following year. He went on to write six more Shaft novels as well as other books. He also wrote and produced films. He wrote the script for the movie,“Shaft,” and won an Academy Award for his screenplay of “The French Connection” from Robin Moore’s non-fiction book.