Friday, September 30, 2016
The forgotten part, for me, was the edition of this book that I read as a kid.
A few days ago, Patti Abbott, on her blog, asked the question: “Who were the first adult crime fiction writers you read?”
Right off the bat, I knew the first was Conan Doyle, and the book was The Adventures of Sherlock Holmes. I was hooked on Holmes after reading the first story, “The Red-Headed League.”
But “The Red-Headed League” is not the first story in the collection. So how did I come to read it first?
Traditionally, the stories in The Adventures of Sherlock Holmes are:
“A Scandal in Bohemia”
“The Adventure of the Red-Headed League”
“A Case of Identity”
“The Boscombe Valley Mystery”
“The Five Orange Pips”
“The Man with the Twisted Lip”
“The Adventure of the Blue Carbuncle”
“The Adventure of the Speckled Band”
“The Adventure of the Engineer's Thumb”
“The Adventure of the Noble Bachelor”
“The Adventure of the Beryl Coronet”
“The Adventure of the Copper Beeches”
Still, I was sure “The Red-Headed League” was my introduction to Sherlock Holmes. I could not check the book because I have not seen it in years. One of my siblings might have it, and I’ll bet I know which one – the one who saved all the board games we had as kids.
A quicker way to find it than rummaging around in an attic, is rummaging around on the Internet. And that is what I did. There, I found the book, identified by the cover art of Cheslie D’Andrea (pictured here).
This version of Adventures of Sherlock Holmes, put out by Whitman Publishing, was an abbreviated collection in that it contained only eight of the Holmes stories:
"The Red-Headed League"
"The Boscombe Valley Mystery"
"The Five Orange Pips"
"The Adventure of the Blue Carbuncle"
"The Adventure of the Engineer's Thumb"
"The Adventure of the Noble Bachelor"
"The Adventure of the Beryl Coronet"
"The Adventure of the Copper Beeches"
Whitman, I learned, was part of Western Publishing of Racine, Wisconsin, a company that also published Golden Books for young children.
How this particular book first came into my hands, I do not know, but it made me a lifelong Holmes fan.
And, by the way, "The Red-Headed League," which I reread for this post, is even better than I remembered it.
(For more forgotten books, please see Patti Abbott’s blog.)
Tuesday, September 27, 2016
In the book, Philadelphia police detective Barney Nolan is a bad cop who hits rock bottom. In the 1954 movie, “Shield for Murder," Barney Nolan, as played by star and co-director Edmond O’Brien, is a complex man, not particularly good or bad, just human, who makes a series of bad – really bad – decisions and goes down the moral drain.
Both book and movie start with Nolan killing a bookie in order to rob the man and then claiming it was an accident, a warning shot gone wild. Nolan, in both versions wants the money to win a girl.
In the book, Nolan needs the money to lavish expensive jewelry on a nightclub singer who has no romantic feelings for him. In the movie, he wants the money to marry a nightclub cigaret girl, buy a small house in the suburbs, move there and live his own vision of the American dream.
Characters like Nolan who make criminal choices for women are a staple of film noir. In the hands of a director like Fritz Lang or Anthony Mann, this movie could have been a great addition to that genre. But as it is, “Shield for Murder” does not reach that level. Still, it is not a bad little crime picture.
The movie might get a better grade from me if I had not read the McGivern novel right before seeing it. (A post about McGivern’s book is here.)
Aside from Nolan’s motivation to commit murder, there is another interesting difference between the book and the movie. In the book, the man who starts suspecting Nolan is a murderer is Mark Brewster, a young newspaper reporter. In the movie, Mark Brewster is Nolan’s police partner. The change may have been dictated by the old Hollywood production code.
O’Brien, who co-directed with producer Howard W. Koch, may have miscast himself in the movie. Robert Ryan and Robert Mitchum could play hard guys on the edge and capable of going over to the dark side. In McGivern’s book, Nolan is a big, violent thug who scares the hell out of everyone. The movie’s Barney Nolan is a softer, almost sympathetic guy, thanks to O’Brien’s personality and skill as an actor. (O’Brien deserves a post about his career.)
As Nolan's partner, actor John Agar is wooden and not nearly as good as he was in his first film - John Ford’s “Fort Apache.” Also in the cast is the great, gruff Emile Meyer as a captain of detectives who also suspects Nolan. The cigaret girl is played by Marla English, who did a handful of films in the 1950s. Carolyn Jones has a nice supporting role as a woman in a bar trying to pick up Barney Nolan. Others in the cast who became regulars on TV are Claude Akins, William Schallert and Richard Deacon.
Overall, “Shield for Murder” is an OK picture, but the book is a lot better.
(For more posts on movies and television, check out Todd Mason’s blog.)
Thursday, September 22, 2016
“The man Nolan planned to kill came out of an all-night taproom about one o’clock in the morning.”
William P. McGivern really knew how to get a crime novel up and running.
In this 1951 book, Barny Nolan is a Philadelphia police detective who got on the force and rose through the ranks by luck and political connections. In his youth, he was the muscle behind a district boss. Now pushing 40, Nolan is still violent with a built-up resentment for anyone with money, anyone with power, and anyone in his way. He kills the man who comes out of the taproom, a bookie, so he can steal his bankroll. Nolan needs money to impress a nightclub singer, but is unaware that she has no interest in him. In the bookie’s pocket is a huge wad of cash belonging to a local racketeer. Taking it does not worry Nolan. He figures that as a cop he can derail any investigation and get away with it.
But nothing ever goes smoothly for Barny Nolan.
Not only does the gangster find out he took the money, but also a young newspaper reporter, Mark Brewster, suspects Nolan of murdering the bookie.
Brewster starts putting a case together against Nolan, but runs into resistance from the cops when he tries to tell them that one of their own is a bad guy. He also makes a target of himself when Nolan learns Brewster is investigating him.
McGivern paints a dark, seedy picture of the City of Brotherly Love. How accurate a picture, I cannot say having only visited Philadelphia a couple of times as a tourist, eating cheesesteak sandwiches, visiting the Liberty Bell, and, yes, running up the steps of the art museum with a couple of my young nephews. (No, I did not raise my hands like Rocky. But they did). McGivern’s Philadelphia felt genuine through his descriptions of the neighborhoods, the police precincts, and the taprooms. (By the way, can anyone from Philly tell me what a taproom is, or was? Was it a small pub? Was it a bar that only served beer?)
For a while, William P. McGivern was a newspaper reporter in Philadelphia and several of his crime novels were set there. Shield for Murder and other McGivern books like Odds Against Tomorrow, The Big Heat, and Rogue Cop were made into Hollywood movies. McGivern died in 1982 at age 63.
(An earlier post on McGivern’s novel The Crooked Frame is here.)
(For more forgotten books, check out Patti Abbott’s blog.)
Tuesday, September 20, 2016
In it, Joseph Gordon-Levitt plays Chris, a former high school athlete, who suffers a serious brain injury in a car crash. Employed as a night janitor for a local bank in his small, Midwestern town, he hopes his condition improves enough to get a teller’s job with the bank. But his injury makes that goal nearly impossible since his short-term memory is damaged.
Some local dirtbags get the bright idea of befriending Chris and recruiting him to help them rob the bank.
This deliberately paced movie is quite involving as we get to know more about Chris’s guilt at causing the car crash which killed and injured his buddies and girlfriend, and his frustrations with his current condition.
There are two outstanding supporting characters in the picture. One is the blind man, played by Jeff Daniels, who shares his apartment with Chris and who helps Chris with his recovery. The other is the head bad guy played by Matthew Goode, who makes the initial contact with Chris and becomes his new best friend.
The cast also includes Isla Fisher as a former stripper who gets involved with Chris, and Sergio Di Zio as a goodhearted deputy sheriff.
“The Lookout” was written and directed by Scott Frank.
This 99-minute film is well worth a look.
(For more film and television posts, check out Todd Mason’s blog.)
Monday, September 12, 2016
First, this docu-noir film is based on a true story from 1927 in which a gang of convicts broke out of the Colorado Territorial Correctional Facility at Canon City, Colorado. Part of the movie was filmed at the prison and around Canon City (which should be called Canyon City according to the Spanish spellings used there). Built in 1871, in the harsh landscape of rocky, treeless hills, the CTCF is still there and is the oldest prison in the state. Photos Googled up show a stone structure with guard towers that looks more like a movie set than a real place.
Next, the star of the picture is a young Scott Brady. Brady in real life was the tall, tough brother of tall tough actor Lawrence Tierney who was the tough old gang leader in “Reservoir Dogs.” Brady’s character is forced to participate in the prison break. Once on the outside, he does all he can to keep the others from killing anyone or harming local residents.
Next, there are a couple of sequences that make “Canon City” a thriller. One scene would have done Alfred Hitchcock proud. The men who bust out of prison, split up and because it is winter, and because they need a sure way out of the area, the men barge into several homes looking to steal guns, cars and food. In one sequence, a group of cons holds a family hostage and demands food. The old granny goes into the kitchen to fix them something to eat and while there and out of sight of the baddies, she must decide whether to feed them or to bash in the ringleader’s head with a hammer. It’s a great scene.
And last, the film was photographed by John Alton, the great cinematographer of so many moody black and white noir films like "The Scar" from the same year.
“Canon City” was written and directed by Crane Wilber and produced by Bryan Foy. Also in the cast were Jeff Corey, Whit Bissell, and DeForest Kelly, 18 years before he played Doc McCoy on “Star Trek.”
(For more posts on film and television, check out Todd Mason’s blog.)
Thursday, September 1, 2016
Superintendent William “Big Bill” Stevens of Scotland Yard, is asked as a favor by a high ranking official to get a line on an American businessman who was scheduled to arrive in England but never showed up. Stevens tracks the man’s movements to France.
Arriving in Paris, Stevens is met by his old friend, Inspector Pierre Allain of the Sûreté Nationale. The robust French detective says he will help his stoic British counterpart look for the American and assures him they will find the man in no time. But first, they must dine together. Pierre Allain is fond of fine food. He also claims to be the best detective as well as the greatest lover in all of France.
Author Bruce Graeme takes a bit of pleasure in poking fun at the volatile French inspector. He also shows Allain is an excellent detective.
Before Stevens and Allain can get started on the manhunt, two things happen. An older woman is murdered and her servants, her beautiful adult daughter, and the daughter’s mysterious friend are all suspects. Equally troubling for Allain, someone steals his favorite hat. Men’s hats are being stolen all around Paris and Pierre Allain is determined to get to the bottom of it.
Into this crazy mix of storylines come two more detectives. There is Floquet, Pierre Allain’s arch rival from the Préfecture of Police. It seems the national Sûreté and the Paris based Préfecture have overlapping jurisdiction. The fourth is B.Y. Heck, from Pinkerton’s in the United States, who was hired by the American’s wife to find her husband.
Much of the fun of The Mystery of the Stolen Hats is watching the four detectives deal with each other while trying to find the murderer, search for the missing American and locate Pierre Allain’s hat.
Graeme wrote a leisurely yet well-paced story which judging by the ancient library copy that was located and shipped to my public branch must have been very popular in its day. Almost every page was dog-eared, many of them bent two and three times, some folded so often that librarians of the past had to apply clear tape to hold the corners together. One page had tape over a cigaret burn that made a small hole and a brown spot on the following three pages.
The Mystery of the Stolen Hats was mentioned recently by John Norris on his blog Pretty Sinister Books and that spurred me to find the book. Now, I look forward to tracking down some of the other seven or eight Stevens-Allain novels Graeme wrote between 1931 and about 1940. I suspect the seriousness of World War 2 made writing more lighthearted books impossible.
Bruce Graeme was one of the pen names of the English writer, Graham Montague Jeffries (1900-1982), who turned out more than 60 novels. The figure might be closer to 80. Information on-line about Graeme is sketchy, brief and hard to find.
His books are also hard to find. Hopefully, a publisher will look into reprinting the entire Stevens-Allain series, and I hope the others are as much fun to read as The Mystery of the Stolen Hats.
(For more forgotten books, please visit Patti Abbott's blog.)