The movie is a surprising combination of styles, one that was near its height when it came out in 1947 and another not quite a style yet. “It Always Rains on Sunday” is a crime picture, a thriller with film-noir touches, and an early example of “kitchen sink” drama, a style that would catch on a decade later with the “angry young man” dramas.
This film could be called an angry young woman film. In fact it has several angry young women in it.
Rose, played by Googie Withers, is a former barmaid whose boyfriend proposes to her just before getting arrested and shipped off to prison. She settles for a man 15 years her senior whom she marries. When the picture opens, she is living with him and his two grown daughters and little son in a tiny attached house. A good deal of Rose’s life, and this movie, is spent in the cramped kitchen which doubles as the dining room, laundry room, and bathroom – that is, the tub is in there, too. The other fixture, I am guessing, is out behind the house.
One night, Rose’s former boyfriend escapes from jail and hides in a shed in her backyard. She finds him, takes him in, feeds him and lets him sleep in her bed while the rest of the family is out on a rainy Sunday. But family members keep returning to the house, giving Rose and the con several scares and breaking up a rekindled romance.
In the meantime, one step-daughter is seeing a shady, married man. The shady man’s brother, a small-time gambler and fence of stolen items, is putting the moves of the other, more naïve step-daughter. And the married man’s wife, who catches on to the affair, is the fourth angry woman in this film.
This moody, edgy film has some unusual twists for its time. It is as crowded with story as its streets are crowded with people. In a subplot, three petty criminals try to unload stolen goods and immediately attract the attention of a police detective, played by Jack Warner (not the Hollywood mogul, but the British actor who looked a bit like Jack Hawkins). The detective is happy to pinch them, but he is busy on the trail of Rose’s old boyfriend. The circle quickly closes in on Rose and the con.
The man makes a run for it and Rose considers suicide in a subtle but horrifying scene in the kitchen.
This rough, crude drama winds itself up with an exciting finish in a railroad yard.
“It Always Rains on Sunday,” based on a novel by Arthur Le Bern, was directed by Robert Hamer, and was produced by Michael Balcon and Henry Cornelius at Ealing Studios. Ealing was famous for its Alec Guinness comedies, but the company produced a variety of very good dramas in the 1940s and 1950s. “It Always Rains on Sunday” was one of them and it is well worth seeing.
(For more posts on film and television, check out Todd Mason's blog.)