Weird Crime Film: Decoy

One of the looniest crime movies I have ever seen is “Decoy,” a low-budget picture from 1946. This one has to be seen to be believed.

The story is a fairly routine tale of betrayal by a femme fatale whose lover is in prison, facing execution, and refusing to reveal where he hid the cash from an armored car robbery.

But there is a science fiction twist to the tale that is riveting. The woman learns of a drug that will revive the dead, but only if administered within one hour of death.

Her plan is to use sex to recruit the prison doctor. He will fall for her, do whatever she wants, take charge of the body, transport it to his office and bring the mug back to life. The woman also recruits the executed gangster’s rival, her new lover, who will force the no-longer-dead guy to reveal the location of the money.

Director Jack Bernhard builds some decent tension as the hour after the execution is filled with bureaucrat obstacles for the doctor. In the hands of a Hitchcock, the tension could have been prolonged and unbearable.

The real highlight of the picture is the revival, when the doctor applies the drug and the man wakes.

Actor Robert Armstrong (the guy who led the expedition to Skull Island and captured King Kong in that original movie) is amazing as the man who comes back from the dead. This scene alone was worth the price of admission.

British actress, Jean Gillie, played the woman, Edward Norris was the dead man’s rival, Herbert Rudley played the doctor, and Sheldon Leonard played a tough cop on the trail of the missing money.

This movie came to my attention thanks to Steve at Mystery*File.

(For more posts on film, TV and more, check out Todd Mason’s site.)

Early film noir: Street of Chance

A man walking down a city street gets knocked out by falling debris and wakes up not sure of his own name. Looking around, he has no idea why he is in that part of town. When he goes home, he finds his apartment is not his and his wife moved away a year ago. Who is he? What has he been doing for a year? And worse, who is the tough-looking thug following him?

This is a great set-up for a film noir. It was adapted from a story by one of the great writers of noir tales, Cornell Woolrich.

Woolrich (1903-1968) wrote many stories about people’s fears. His characters often dread something in their past is catching up with them, or that they have inadvertently brushed up against evil, and now it is coming for them. His stories include Phantom Lady, Deadline at Dawn, Black Angel, and “It Had To Be Murder,” the original short story that later was made as the movie “Rear Window.”

In the 1942 film, “Street of Chance,” from Woolrich’s 1941novel, The Black Curtain, the great American character actor Burgess Meredith is the man who finds he has been living two lives. His wife is played by Louise Platt, who appeared three years earlier in John Ford’s “Stagecoach.” The man’s girlfriend for the previous year, a woman he now has no memory of, is played by Claire Trevor. Trevor was also in “Stagecoach" and appeared in several noir films including “Murder, My Sweet” and “Raw Deal." The thug is played by Sheldon Leonard.

“Street of Chance” was efficiently directed by Jack Hivley, who got some good performances out of his players, but could not overcome the low-budget look of the picture.

Still, this movie is a good – if a little obvious – who-done-it, and a first rate example of noir storytelling.

A faded version of this movie is on YouTube. But since this film is hard to find, faded is better than nothing.

(For more posts on film, TV and more, check out Todd Mason’s site.)